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Hello and a happy-belated National Password Day! (It was May 5.) I assume you celebrated. If not, you can now by reading about our password-free future below. Speaking of, this newsletter is full of reminders that we are living in the future: a camera that can fit in a birdhouse (really), social media with no ads and a debate about attending or not attending meetings in the metaverse…
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CREDIT: CHAYA HOWELL / THE WALL STREET JOURNAL
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I don’t want to brag, but I had a lot of meetings this week. Some were via video calls, some face-to-face in real-life conference rooms.
You know where I didn’t have any? In the metaverse.
Ironically, some of those meetings were about metaverse meetings.
To be clear: I’m talking about the idea that we put on some sort of headset and hang out with remote virtual legless-avatar colleagues. (Check out my video here to better understand it all.)
On Monday, I interviewed Magic Leap CEO Peggy Johnson via video call for The Wall Street Journal’s upcoming Future of Everything special issue.
Magic Leap, the once-hyped augmented-reality company, recently announced its second-generation headset that’s focused on enterprise use. (Think healthcare, manufacturing and more.) When I asked Johnson what she thought would be the killer augmented-reality app to get consumers into AR headsets she said:
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“It could be talking to your grandma on the other coast or it could be talking to your co-workers. To make meetings come to life seems to be the thing that will really drive usage into a consumer format.”
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Read the whole Q+A here.
A few days later I attended a meeting with Greylock Partners venture capitalist and longtime entrepreneur Reid Hoffman, who also recently re-released his book “The Startup of You.” And yep, the metaverse came up:
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“I see lots of people putting on headsets and saying, ‘Oh my God, that is amazing!’ But they’re not going to be doing it in work meetings every day quite yet. No one wants to put on a big bulky headset and sit in meetings for hours.”
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Exactly! I’ve had a lot of experience hanging with avatars, and there some basic reasons I don’t do it often:
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Discomfort:
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The Meta Quest 2, which is the best consumer virtual-reality headset out there right now, is just annoying to wear for a long time.
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Inconvenience:
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Getting the meeting arranged is a pain, especially in Meta’s Horizon Workrooms. Plus, have you tried to take notes when you can’t see anything on your desk? That’s where augmented reality, which lets you see your personal space, will be a big improvement.
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As you’ll read, Ms. Johnson compares this moment in headsets to the early days of smartphones. Like mobile devices, they’ll get thinner, lighter and cooler (both in temperature and looks). Yet I’m still not convinced that when that happens we’ll say, “Hey, this is awesome! Let’s have a work meeting!”
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👋🏻, P@55w0rds
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To be read in your best movie-announcer voice: Imagine a world without passwords. But for real, it’s coming. Apple, Google and Microsoft have committed to support the Fast Identity Online (FIDO for short) Alliance’s standard for passwordless sign-ins. How will it work? Your phone or computer will store a secure FIDO credential or passkey on the device. Then when you sign into an app, you will authenticate yourself with a fingerprint or face scan. The three big tech companies have committed to integrate this into their platforms in the coming year. Google explains it well here.
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Twitter: Public ↔️ Private?
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Another week, another Elon/Twitter development. According to my colleagues’ reporting, the Tesla CEO has told investors that he plans to take Twitter public again within three years of buying the platform. (His $44 billion deal is expected to close later this year.) Mr. Musk has expressed some of his own plans to save social media by making changes, such as rethinking content moderation and open-sourcing algorithms. Assuring investors that Twitter could go public again shows how quickly Mr. Musk intends to improve the company’s business operations and
profitability.
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How to Fix Social Media
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I loved this piece from my colleague Deepa Seetharaman on former WhatsApp executives who are trying to fix social media. HalloApp, their new group-based social-networking service, plans to charge subscription fees of less than $5 a month, rather than rely on advertising. Plus it’s leaning on smaller group sizes—no more than 50 people can be in a group together—to minimize potential for abuse. The startup has raised $15 million from investors so far, including other ex-Facebook and WhatsApp execs.
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It’s May, which means it’s time for one of my favorite spring cleaning activities: subscription pruning.
If you’re some sort of hyper-organized monster with a spreadsheet of every subscription, then congrats! Visit those apps and services, and cancel the ones you don’t use.
The rest of us can start our lists by reviewing credit-card statements. I also check my iPhone’s subscriptions menu, which maintains a list of any services I’ve subscribed to through Apple’s App Store. (I try not to subscribe that way because of the cut Apple takes from developers, but sometimes it happens.)
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See ya, Little Critter. CREDIT: JOANNA STERN
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Go to Settings, tap your name at the top, then select Subscriptions. Tap on the subscription you want to cancel, and Apple takes care of the rest. On Android, you can do the same. Go to Play Store, select your avatar in the upper right and then select Payments & subscriptions.
You can also use a subscription-tracking app like Truebill, which will sift through your credit-card and bank accounts for recurring costs and automatically track them for you. They’re helpful for seeing everything, and they’ll even try to cancel for you. But you have to be comfortable with sharing financial-account credentials with third parties.
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PHOTO: SCOTT NUGENT
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Scott Nugent from Glen Allen, Va.
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My father purchased it when it was released in 2003. I received it after he passed away in 2018.
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I remember my dad’s favorite feature was called A-B Repeat. This is where you tell the player when to start and stop playing the tape. You could tag the beginning of a song (Point A) and then the end of a song (Point B) and the player would automatically rewind the tape and play the same song over and over. It was futuristic!
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I learned all about music from my dad. Growing up in Chicago, he was a huge blues fan. After he passed, he left a trove of cassette tapes. I use this device to listen to them in his absence.
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My dad kept everything in pristine condition. He still had the wired remote, the additional battery attachment, the manual and even the carrying case that came with it!
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📷 Got an idea for a throwback? Reply to this email with a photo of your old tech and tell us why you loved—or hated—it. 📷
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Got questions about your digital life? Reply to this email with them!
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When I read your piece on the Snap Pixy, I was wondering if you knew of a small digital camera that I could use to take video of the inside of our bluebird house. We are quite interested in seeing what goes on in there.—George Thomas de Lange from Roswell, Ga.
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Something I did not have on my wishlist before this question: a bluebird-size drone that can fly inside birdhouses to record the goings-ons of nestlings.
It turns out, there are all kinds of tiny cameras for this very purpose. The most popular options I’ve come across are from a company called Green Feathers. The $189 WiFi Bird Box Camera, specifically, connects to Wi-Fi so you can stream the 1080p footage and check in on the live birds right on your smartphone or computer. It’s also equipped with a wide-angle lens, night vision, motion detection and a built-in microphone so you can hear those chirps. If you don’t have Wi-Fi out by the bird house, it supports a MicroSD card to record video locally so you can watch
it later.
I haven’t tested this since I don’t think the aggressive pigeons in my backyard would appreciate my surveillance, but let me know how it goes!
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I’m a newsletter N00b and want to know what you think! Reply to this email and share your feedback and suggestions.
User-submitted content has been edited for clarity and length. This week’s newsletter was curated and written by Joanna Stern and Cordilia James in New York.
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